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https://w.atwiki.jp/soundcreate/pages/14.html
『Sound Create Vol.2』 2009年11月8日【恋愛革命Vol.3】にて頒布開始。*頒布終了 収録楽曲 トラック タイトル 作曲者 01 dizzy-ditty(w/o_wds.) Ponta 02 White crystal 11 03 breaking the wall U.M.A. 04 UP technotatsuya 05 シャボン玉クラップ Damian Mastering Engineer U.M.A. Jacket Illustration くっぴー
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名前 詳細 SFX_TOUCHDOWN_SOIL SFX_TOUCHDOWN_GRAVEL SFX_TOUCHDOWN_SAND SFX_TOUCHDOWN_GRASS SFX_TOUCHDOWN_ASPHALT SFX_TOUCHDOWN_ICE SFX_TOUCHDOWN_SNOW SFX_TOUCHDOWN_CHECK SFX_TOUCHDOWN_TREE SFX_TOUCHDOWN_STONE SFX_TOUCHDOWN_ROCK SFX_TOUCHDOWN_FIRE SFX_TOUCHDOWN_LEAF SFX_TOUCHDOWN_CRYSTAL SFX_TOUCHDOWN_IRON SFX_TOUCHDOWN_POOL SFX_TOUCHDOWN_WIRENET SFX_TOUCHDOWN_OIL SFX_TOUCHDOWN_SANDFALL SFX_TOUCHDOWN_SPACE SFX_TOUCHDOWN_WATER SFX_TOUCHDOWN_RAIL_N SFX_TOUCHDOWN_RAIL_D SFX_OBRUN_SOIL SFX_OBRUN_GRAVEL SFX_OBRUN_SAND SFX_OBRUN_GRASS SFX_OBRUN_SNOW SFX_OBRUN_WATER SFX_TYAK_SOIL SFX_TYAK_GRAVEL SFX_TYAK_SAND SFX_TYAK_GRASS SFX_TYAK_ASPHALT SFX_TYAK_ICE SFX_TYAK_SNOW SFX_TYAK_CHECK SFX_TYAK_TREE SFX_TYAK_STONE SFX_TYAK_ROCK SFX_TYAK_FIRE SFX_TYAK_LEAF SFX_TYAK_CRYSTAL SFX_TYAK_IRON SFX_TYAK_POOL SFX_TYAK_WIRENET SFX_TYAK_OIL SFX_TYAK_SANDFALL SFX_TYAK_SPACE SFX_TYAK_WATER SFX_TYAK_RAIL_N SFX_TYAK_RAIL_D
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ou do not should wash your mummy sleeping bag just after each individual excursion. You can even location clear it that has a toothbrush and laundry paste. Attempt to help keep the shell faraway from the insulation in case you are place cleaning it. You could effortlessly clear the pinnacle and foot spot with the sleeping bag by undertaking this. A preemptive work to lessen the number of periods you should clean the bag would be to transform your clothing and shower right before acquiring while in the sleeping bag. Your skin and hair might get rather oily while tenting so it s vital that you wash off or at the very least placed on a new established of clothes just before you will get from the bag. You are going to know when it can be the perfect time to formally obtain the dirt and dirt out. It is possible to clean it in the tub, but this doesn t need to be a house primarily based position. Big industrial sized front loading washers with out aggregators which have been identified at your neighborhood laundromat are a great selection. Gentle cycle will insure the bag isn t going to get tossed about way too aggressively. You d like the bag to have the ability to spin freely. Your house equipment will smoosh and crinkle the bag unnecessarily which could bring about permanent harm. Expert dry cleaners have as well quite a few chemical substances that can shorten the existence from the bag considerably. Down stuffed sleeping luggage paired best with a delicate cleaning soap formulated for down. For artificial baggage, utilize a mild detergent or cleaning agent built for synthetics, and often try to remember to read through the precise tips for your personal bag. burberry replica It s best to unzip the bag, although not all of the way, when you don t need the slider to return off. Look at employing a water-proofing spray after you clean your mummy sleeping bag, simply because detergents have a tendency to wash absent the water-resistant components of your bag. Insulation is held jointly with the baffling elements inside your bag. No person ever reported that hanging out within the laundromat was like hanging out in the maternity ward, however it is still a good idea to handle your damp bag just like a new born little one while you transfer it from the washer to your dryer. Staying careful to maintain all the baffling intact will allow you to definitely again prolong the life of your mummy sleeping bag, and you will be the stud on the laundromat. The larger the dryer the better. Sleeping luggage usually takes 2-5 several hours to dry so be ready to reminisce regarding your last journey though your dryer is ready with a extremely minimal and funky setting. By using a number of minutes still left, increase some tennis balls that can help keep the burberry briefcase insulation spread evenly. In addition, you hold the choice to line dry the bag when you see the insulation is smooshing up from the drying machine, but that adds far more the perfect time to the procedure. Do your best to air out your bag for at least 24 for hours whenever you return from your trip. Stuff sacks are excellent for effectiveness and packing mild, but prolonged term they don t assistance your mummy sleeping bag. Down burberry scarf or synthetic insulation usually do not fare effectively if they are smushed up in the things sack and then rammed into your closet. If your mummy sleeping bag will not arrive having an further cotton storage sack, get yourself a huge sack that breaths. You can even utilize a king sized pillow situation. Provide the bag place in the closet and ensure that it truly is not crumpled alongside one another. You can even retailer it beneath your mattress inside of a king sized pillow circumstance in case you are missing in closet house. Smooth out crinkled spots and permit it breath. You can be happy you probably did since it may help continue to keep cold spots to some minimum amount once your insulation remains to be evenly dispersed just after a long time of use. It truly is achievable for the sleeping bag to very last numerous yrs, so thoroughly clean it, dry it, and do not SMOOSH THE BAG.
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THE LIGHTNING CELEBRATION THE LIGHTNING CELEBRATION アーティスト StylipS 発売日 2013年4月24日 レーベル ランティス デイリー最高順位 1位(2013年4月24日) 週間最高順位 1位(2013年4月30日) 月間最高順位 7位(2013年4月) 年間最高順位 69位(2013年) 初動売上 6713 累計売上 9301 週間1位 収録内容 曲名 タイアップ 視聴 1 THE LIGHTNING CELEBRATION 2 STUDY×STUDY ハイスクールD×D ED 3 ベイビィKISS☆ 4 セーシュンプラン! 5 Blue Moon Dream 6 Fragile Crazy 7 Honey Groove 8 TSU・BA・SA 咲-Saki- 阿知賀編 episode of side-A OP 9 MIRACLE RUSH 10 初恋EVOLUTION 11 Choose me♡ダーリン この中に1人、妹がいる! OP 12 わがままバディー 13 Brand-new Style!! ~魔法みたいなShow time~ Bonus Track 1 STUDY×STUDY(小倉唯ver.) 2 初恋EVOLUTION(松永真穂ver.) 3 TSU・BA・SA(石原夏織ver.) 4 MIRACLE RUSH(能登有沙ver.) 5 Honey Groove(松永真穂ver.) 6 Choose me♡ダーリン(ゆいかおりver.) 7 ベイビィKISS☆(能登有沙ver.) 8 Brand-new Style!! ~魔法みたいなShow time~(石原夏織ver.) 9 MIRACLE RUSH(石原夏織ver.) 10 Brand-new Style!! ~魔法みたいなShow time~(小倉唯ver.) 11 初恋EVOLUTION(松永真穂ver.) 12 Choose me♡ダーリン(能登有沙&松永真穂ver.) 13 ベイビィKISS☆(小倉唯ver.) 14 TSU・BA・SA(能登有沙ver.) ランキング 週 月日 順位 変動 週/月間枚数 累計枚数 1 4/30 1 新 6713 6713 2013年4月 7 新 6713 6713 2 5/7 2 ↓ 1559 8272 3 5/14 3 ↓ 702 8974 4 5/21 10 ↓ 327 9301 2013年5月 8 ↓ 2588 9301 関連CD Step One!! STUDY×STUDY MIRACLE RUSH Choose me♡ダーリン
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The Bible The Bible アーティスト KOTOKO 発売日 2020年4月21日 レーベル NBC デイリー最高順位 1位(2020年4月21日) 週間最高順位 1位(2020年4月28日) 月間最高順位 4位(2020年4月) 年間最高順位 51位(2020年) 初動売上 10064 累計売上 12262 週間1位 収録内容 曲名 タイアップ 視聴 Disc1 1 Close to me… 2 涙の誓い 3 sensitive 4 想い出は風の中で… 5 Time heals all sorrows 6 flow ~水の生まれた場所~ 7 YA・KU・SO・KU 8 Magical Sweetie 9 Mirabilis 10 I pray to stop my cry 11 君よ、優しい風になれ 12 Feel in tears 13 Heart of Hearts Disc2 1 resolution of soul 2 遮光~かげり~ 3 同じ空の下で 4 CAVE 5 Now and heaven -KOTOKO ver.- 6 Change my Style~あなた好みの私に~ 7 あちちな夏の物語り 8 went away 9 Bright wings -solo ver.- 10 Wing my Way 11 Crossed Destiny 12 Time rolls on… Disc3 1 Face of Fact 2 I-DOLL~Song for eternity~ 3 amethyst 4 Just as time is running out 5 unsymmetry 6 Undying Love 7 ずっとそばに... 8 さくらんぼキッス ~爆発だも~ん~ 9 Cream+Mint 10 HALLUCINO 11 rime 12 Do You Feel Loved? 13 Lupe Disc4 1 はじめまして、恋。 2 きゅるるんKissでジャンボ♪♪ 3 Jumping Note 4 Absurd 5 Boundary Line 6 Abyss 7 We Survive 8 oblivion 9 Princess Bride! 10 ねぇ、…しようよ! 11 らずべりー 12 cross up 13 Sledgehammer Romance 14 Imaginary affair Disc5 1 allegretto~そらときみ~ 2 お*ま*ま*ご*と 3 Fusion Star 4 Mighty Heart~ある日のケンカ、いつもの恋心~ 5 wind of memory~記憶の風~ 6 Fatally 7 Leaf ticket 8 loose 9 原罪のレクイエム 10 a piacere 11 Lilies line 12 Princess Brave! 13 ↑青春ロケット↑ Disc6 1 常識!バトラー行進曲 2 I need magic~解けないマジ☆キュン♪~ 3 Swift Love~健全男子にモノ申す~ 4 決断のentrance 5 Ideal Forest 6 蒼-iconoclast 7 茜空~それが僕らの世界だった~ 8 U make 愛 dream 9 ユメミボシ★boom!boom! 10 Stars Biscuit 11 Restoration~沈黙の空~ 12 room 13 fickle 14 bumpy-Jumpy! Disc7 1 thyme 2 未来自画像 3 幻想の宝石 4 みらくる☆みるきーうぇい 5 Mimosa 6 碧羅の天へ誘えど 7 blossomdays 8 jihad 9 Pray’s Color -Link- 10 Pray’s Color -Lost- 11 *bloom* 12 Crystal moment 13 Presto Disc8 1 Unite+reactioN 2 Flower!! 3 桜舞う坂を、君と歩く 4 Love mission!!~なんだ。ただの恋かw~ 5 Floating up 6 あさがお 7 U 8 Teller of World 9 soupir d’ange 10 monochrome 11 Largo 12 リスタート 13 WING OF ZERO Disc9 1 Blooming!! 2 Art as ♡ 3 恋ひ恋ふ縁 4 Fancy Game!? 5 ゆらふわ Sunny day 6 ruin 7 恋する森のfairy tale 8 きらめく乙女 9 そのハート、危険物につき取り扱いChu♡意!! 10 Reboot oN/↓0 11 affection 12 Sign of Suspicion 13 TRUE-BLUE 14 Adolescence Locator 15 Bum-out!! Disc10 1 die or dice? 2 XXX-revolt 3 桜ひとひら恋もよう 4 One Small Step 5 エリカ 6 月下流進 7 Instinct’s Answer 8 REFOCUS 9 新緑のユートピア 10 UNDERWORLD HOLOGRAPHY 11 All right!! 12 real-Reality 13 アオナツライン 14 言弾-KOTODAMA- ランキング 週 月日 順位 変動 週/月間枚数 累計枚数 1 4/28 1 新 10064 10064 2 5/5 7 458 10522 2020年4月 4 新 10522 10522 3 5/12 7 → 344 10866 4 5/19 7 → 457 11323 5 5/26 14 ↓ 269 11592 6 6/2 271 11863 2020年5月 14 ↓ 1341 11863 7 6/9 14 ↑ 247 12110 8 6/16 ↓ 152 12262
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【登録タグ B Metallical Astronomy Metallical Remasters SOUND HOLIC Yoko Kubota ネクロファンタジア 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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出演…餓狼伝説・THE KING OF FIGHTERSシリーズ CV… 特殊技 顎裂き 6+X 露払い 6+Y 雷光廻し蹴り 6+C[FRC] 必殺技 烈風拳 214+P[ES][FRC(ESは不可)] 圧剄 623+P 疾空拳 214+K 邪影拳 236+K[FRC(大のみ)] 疾風拳 214+P[AIR][ES] スーパーコンボ X…レイジングストーム Y…インヴァイトヘル Z…レイジングストーム A…ブレイジングソウル B…デッドリーレイブ C…多聞殺 特殊LV3…羅生門 X・X・6・A・Z ターゲットコンボ A C A 雷光廻し蹴り Z 顎裂き 2A 2X コンボ その他
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CHAPTER XXXII UP CHAPTER XXXIV CHAPTER XXXIII The Hotel Concert "Put on your white organdy, by all means, Anne," advised Diana decidedly. They were together in the east gable chamber; outside it was only twilight--a lovely yellowish-green twilight with a clear-blue cloudless sky. A big round moon, slowly deepening from her pallid luster into burnished silver, hung over the Haunted Wood; the air was full of sweet summer sounds--sleepy birds twittering, freakish breezes, faraway voices and laughter. But in Anne s room the blind was drawn and the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. The velvet carpet with the pink roses and the pink silk curtains of Anne s early visions had certainly never materialized; but her dreams had kept pace with her growth, and it is not probable she lamented them. The floor was covered with a pretty matting, and the curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy s photograph occupied the place of honor, and Anne made a sentimental point of keeping fresh flowers on the bracket under it. Tonight a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed. Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne and Marilla was not far behind, although she would have died rather than admit it, and said she didn t think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. "Do you really think the organdy will be best?" queried Anne anxiously. "I don t think it s as pretty as my blue-flowered muslin--and it certainly isn t so fashionable." "But it suits you ever so much better," said Diana. "It s so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen s taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I m going to braid your hair in two thick braids, and tie them halfway up with big white bows--no, don t pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he d like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne s slim milk-white throat. "There s something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it s your figure. I am just a dumpling. I ve always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn t complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. "Come right in and look at our elocutionist, Marilla. Doesn t she look lovely?" Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. I like that way of fixing her hair. But I expect she ll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy s the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it IS too damp for my dress," said Anne anxiously. "Not a bit of it," said Diana, pulling up the window blind. "It s a perfect night, and there won t be any dew. Look at the moonlight." "I m so glad my window looks east into the sunrising," said Anne, going over to Diana. "It s so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It s new every morning, and I feel as if I washed my very soul in that bath of earliest sunshine. Oh, Diana, I love this little room so dearly. I don t know how I ll get along without it when I go to town next month." "Don t speak of your going away tonight," begged Diana. "I don t want to think of it, it makes me so miserable, and I do want to have a good time this evening. What are you going to recite, Anne? And are you nervous?" "Not a bit. I ve recited so often in public I don t mind at all now. I ve decided to give `The Maiden s Vow. It s so pathetic. Laura Spencer is going to give a comic recitation, but I d rather make people cry than laugh." "What will you recite if they encore you?" "They won t dream of encoring me," scoffed Anne, who was not without her own secret hopes that they would, and already visioned herself telling Matthew all about it at the next morning s breakfast table. "There are Billy and Jane now-- I hear the wheels. Come on." Billy Andrews insisted that Anne should ride on the front seat with him, so she unwillingly climbed up. She would have much preferred to sit back with the girls, where she could have laughed and chattered to her heart s content. There was not much of either laughter or chatter in Billy. He was a big, fat, stolid youth of twenty, with a round, expressionless face, and a painful lack of conversational gifts. But he admired Anne immensely, and was puffed up with pride over the prospect of driving to White Sands with that slim, upright figure beside him. Anne, by dint of talking over her shoulder to the girls and occasionally passing a sop of civility to Billy--who grinned and chuckled and never could think of any reply until it was too late--contrived to enjoy the drive in spite of all. It was a night for enjoyment. The road was full of buggies, all bound for the hotel, and laughter, silver clear, echoed and reechoed along it. When they reached the hotel it was a blaze of light from top to bottom. They were met by the ladies of the concert committee, one of whom took Anne off to the performers dressing room which was filled with the members of a Charlottetown Symphony Club, among whom Anne felt suddenly shy and frightened and countrified. Her dress, which, in the east gable, had seemed so dainty and pretty, now seemed simple and plain--too simple and plain, she thought, among all the silks and laces that glistened and rustled around her. What were her pearl beads compared to the diamonds of the big, handsome lady near her? And how poor her one wee white rose must look beside all the hothouse flowers the others wore! Anne laid her hat and jacket away, and shrank miserably into a corner. She wished herself back in the white room at Green Gables. It was still worse on the platform of the big concert hall of the hotel, where she presently found herself. The electric lights dazzled her eyes, the perfume and hum bewildered her. She wished she were sitting down in the audience with Diana and Jane, who seemed to be having a splendid time away at the back. She was wedged in between a stout lady in pink silk and a tall, scornful-looking girl in a white-lace dress. The stout lady occasionally turned her head squarely around and surveyed Anne through her eyeglasses until Anne, acutely sensitive of being so scrutinized, felt that she must scream aloud; and the white-lace girl kept talking audibly to her next neighbor about the "country bumpkins" and "rustic belles" in the audience, languidly anticipating "such fun" from the displays of local talent on the program. Anne believed that she would hate that white-lace girl to the end of life. Unfortunately for Anne, a professional elocutionist was staying at the hotel and had consented to recite. She was a lithe, dark-eyed woman in a wonderful gown of shimmering gray stuff like woven moonbeams, with gems on her neck and in her dark hair. She had a marvelously flexible voice and wonderful power of expression; the audience went wild over her selection. Anne, forgetting all about herself and her troubles for the time, listened with rapt and shining eyes; but when the recitation ended she suddenly put her hands over her face. She could never get up and recite after that--never. Had she ever thought she could recite? Oh, if she were only back at Green Gables! At this unpropitious moment her name was called. Somehow Anne--who did not notice the rather guilty little start of surprise the white-lace girl gave, and would not have understood the subtle compliment implied therein if she had--got on her feet, and moved dizzily out to the front. She was so pale that Diana and Jane, down in the audience, clasped each other s hands in nervous sympathy. Anne was the victim of an overwhelming attack of stage fright. Often as she had recited in public, she had never before faced such an audience as this, and the sight of it paralyzed her energies completely. Everything was so strange, so brilliant, so bewildering--the rows of ladies in evening dress, the critical faces, the whole atmosphere of wealth and culture about her. Very different this from the plain benches at the Debating Club, filled with the homely, sympathetic faces of friends and neighbors. These people, she thought, would be merciless critics. Perhaps, like the white-lace girl, they anticipated amusement from her "rustic" efforts. She felt hopelessly, helplessly ashamed and miserable. Her knees trembled, her heart fluttered, a horrible faintness came over her; not a word could she utter, and the next moment she would have fled from the platform despite the humiliation which, she felt, must ever after be her portion if she did so. But suddenly, as her dilated, frightened eyes gazed out over the audience, she saw Gilbert Blythe away at the back of the room, bending forward with a smile on his face--a smile which seemed to Anne at once triumphant and taunting. In reality it was nothing of the kind. Gilbert was merely smiling with appreciation of the whole affair in general and of the effect produced by Anne s slender white form and spiritual face against a background of palms in particular. Josie Pye, whom he had driven over, sat beside him, and her face certainly was both triumphant and taunting. But Anne did not see Josie, and would not have cared if she had. She drew a long breath and flung her head up proudly, courage and determination tingling over her like an electric shock. She WOULD NOT fail before Gilbert Blythe--he should never be able to laugh at her, never, never! Her fright and nervousness vanished; and she began her recitation, her clear, sweet voice reaching to the farthest corner of the room without a tremor or a break. Self-possession was fully restored to her, and in the reaction from that horrible moment of powerlessness she recited as she had never done before. When she finished there were bursts of honest applause. Anne, stepping back to her seat, blushing with shyness and delight, found her hand vigorously clasped and shaken by the stout lady in pink silk. "My dear, you did splendidly," she puffed. "I ve been crying like a baby, actually I have. There, they re encoring you-- they re bound to have you back!" "Oh, I can t go," said Anne confusedly. "But yet--I must, or Matthew will be disappointed. He said they would encore me." "Then don t disappoint Matthew," said the pink lady, laughing. Smiling, blushing, limpid eyed, Anne tripped back and gave a quaint, funny little selection that captivated her audience still further. The rest of the evening was quite a little triumph for her. When the concert was over, the stout, pink lady--who was the wife of an American millionaire--took her under her wing, and introduced her to everybody; and everybody was very nice to her. The professional elocutionist, Mrs. Evans, came and chatted with her, telling her that she had a charming voice and "interpreted" her selections beautifully. Even the white-lace girl paid her a languid little compliment. They had supper in the big, beautifully decorated dining room; Diana and Jane were invited to partake of this, also, since they had come with Anne, but Billy was nowhere to be found, having decamped in mortal fear of some such invitation. He was in waiting for them, with the team, however, when it was all over, and the three girls came merrily out into the calm, white moonshine radiance. Anne breathed deeply, and looked into the clear sky beyond the dark boughs of the firs. Oh, it was good to be out again in the purity and silence of the night! How great and still and wonderful everything was, with the murmur of the sea sounding through it and the darkling cliffs beyond like grim giants guarding enchanted coasts. "Hasn t it been a perfectly splendid time?" sighed Jane, as they drove away. "I just wish I was a rich American and could spend my summer at a hotel and wear jewels and low-necked dresses and have ice cream and chicken salad every blessed day. I m sure it would be ever so much more fun than teaching school. Anne, your recitation was simply great, although I thought at first you were never going to begin. I think it was better than Mrs. Evans s." "Oh, no, don t say things like that, Jane," said Anne quickly, "because it sounds silly. It couldn t be better than Mrs. Evans s, you know, for she is a professional, and I m only a schoolgirl, with a little knack of reciting. I m quite satisfied if the people just liked mine pretty well." "I ve a compliment for you, Anne," said Diana. "At least I think it must be a compliment because of the tone he said it in. Part of it was anyhow. There was an American sitting behind Jane and me--such a romantic-looking man, with coal-black hair and eyes. Josie Pye says he is a distinguished artist, and that her mother s cousin in Boston is married to a man that used to go to school with him. Well, we heard him say--didn t we, Jane?--`Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint. There now, Anne. But what does Titian hair mean?" "Being interpreted it means plain red, I guess," laughed Anne. "Titian was a very famous artist who liked to paint red-haired women." "DID you see all the diamonds those ladies wore?" sighed Jane. "They were simply dazzling. Wouldn t you just love to be rich, girls?" "We ARE rich," said Anne staunchly. "Why, we have sixteen years to our credit, and we re happy as queens, and we ve all got imaginations, more or less. Look at that sea, girls--all silver and shadow and vision of things not seen. We couldn t enjoy its loveliness any more if we had millions of dollars and ropes of diamonds. You wouldn t change into any of those women if you could. Would you want to be that white-lace girl and wear a sour look all your life, as if you d been born turning up your nose at the world? Or the pink lady, kind and nice as she is, so stout and short that you d really no figure at all? Or even Mrs. Evans, with that sad, sad look in her eyes? She must have been dreadfully unhappy sometime to have such a look. You KNOW you wouldn t, Jane Andrews!" "I DON T know--exactly," said Jane unconvinced. "I think diamonds would comfort a person for a good deal." "Well, I don t want to be anyone but myself, even if I go uncomforted by diamonds all my life," declared Anne. "I m quite content to be Anne of Green Gables, with my string of pearl beads. I know Matthew gave me as much love with them as ever went with Madame the Pink Lady s jewels." CHAPTER XXXII UP CHAPTER XXXIV 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 17 20 (Tue)
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THE VALE OF ANDRATH / アンドラスの谷 ブリットルリーフ巡視員(Watcher Brittleleaf)との会話 「グリムブリアー(Grimbriar)はやっと増援を送ってくれたのか? 俺たちはすっかり忘れられたんじゃないかと疑ってたところだ。 ここに到着したとき、俺たちは予想を遙かに上回る戦力を発見し、持ち場を離れるわけにはいかないと悟った。すでに俺たちは、ここの化け物どもがひどいまねをしているのを見てきたんだ。 俺たちはここを堅持し、務めを果たさなければならん!」 ●BRIGANDS AND HALF-ORCS / 山賊と半オークにつづく ●MUST HAVE... / なくてはならぬ...につづく ●NEEKER-BREAKER / コウベサセ虫につづく ●SHARKEY S LIEUTENANT / シャーキーの副官につづく ●SOUTHERN FIEND / 南方の悪鬼 につづく
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メダル オブ オナー - Medal of Honor (2010) 英語版シングルプレイ字幕日本語訳「Gunfighters」翻訳作業用ページ ※未プレイの方はネタバレ注意! Gunfighters ブリーフィング Gunfighters 序盤 Gunfighters 中盤 Gunfighters 終盤 Gunfighters 任務 コメント Gunfighters ブリーフィング MOH2010:ステージ6翻訳:ブリーフィングを編集 Gunfighter 11 Bravo One Six, perimeter is secure. Have a good one. Bravo One Sixへ、周辺を確保。よい1日を。 Gunfighter 11 06, breaking right on heading 270. 06,右急旋回 方位270へ。 Corporal Hernandez Hey! Gunfighter 11! We love you! Where you going? なあ! Gunfighter 11! 皆君のことを愛してるぜ! どこにいくんだ? Gunfighter 06 Here we go... 行くぞ…。 Corporal Hernandez Don t go! 行かないでくれ! Gunfighter 11 Happens every time,. Those boys were ten seconds from meeting their maker and still... いつもこうなるのよね、あの坊や達とは会ってから10秒も経ってないのに... Gunfighter 06 11, you just don t understand the brain of a warrior. 11、君は兵士の思考をまったく理解していないな。 Gunfighter 11 Brain? 思考ですって? Gunfighters 序盤 MOH2010:ステージ6翻訳:序盤を編集 1514 hrs. Shahikot Valley, Grid 15109160 CPT. Brad "Hawk" Hawkins 1st BN, 2nd Aviation Regt. Bagram Bagram, Gunfighter 06. Objective Betty is secure. Looks like our boys getting out of there. AFO Wolfpack is reporting mortar positions on "The Whale." We re ready to locate and engage those targets. Gunfighter 06 Gunfighter 06, Bagram. Confirm- en route "The Whale." What s your EAT? Bagram Bagram we are thirty seconds out. Gunfighter 06 Gunfighter 06, roger. Wolfpack has targets identified. Take all guidance from Panther on line-ofsights frequency. Gunfighter 06 Gunfighter 11, we took some fire back there. Be advised we are test firing our thirty mill. Gunfighter 06 Thirty millimeter is operational. Gunfighter 11 Gunfighter 06, we are clear. Gunfighter 11 Gunfighter 06, Gunfighter 11, ten seconds to destination. Gunfighter 11 Check the rockets. Gunfighter 06 Now try the rockets. Gunfighter 11 Keep your eyes open.,we re here. Gunfighter 11 Gunfighter 06, I ve got movement at twelve. Do you have visual? Gunfighter 06 Gunfighter 11 contact. Switching to TADS. Gunfighter 11 Range to target 2500 meters. Gunfighter 06 11, let s keep a safe distance here and engage with hellfire. Gunfighter 06 11, we ve got a few locals hanging out, twelve o clock. What are these guys up to? Gunfighter 11 06, I don t like these guys. Gunfighter 11 Wait, what s that guy doing? Where s he going? Gunfighter 06 11, keep your eyes on that guy. Gunfighter 11 06, I m going to mark that position for you. Gunfighter 11 Hang on. That s an AK. These guys are armed. Gunfighter 06 Gunfighter 11, confirm you saw a weapon. Gunfighter 11 Affirmative, he shouldered a weapon. Those are bad guys. Gunfighter 06 Wolfpack 1, Gunfighter 06. We have visual of several armed individuals at grid 151916. Gunfighter 11 Let s go let s go. Let s take em out. Gunfighter 11 Mortars, Mortars. These are the guys. Are we clear to engage? Panther Gunfighter 06, Panther, those are enemy targets. You are cleared to engage. No friendlies in the area. Happy hunting. Gunfighter 06 Fire, fire, fire. Gunfighter 06 There goes one, follow him. Gunfighter 06 Use youre hellfires, it s easier. Gunfighter 06 All three mortars are still firing. Gunfighter 06 You have to fire a hellfire to neutralize those mortar positions. Gunfighter 06 Missile off the rall. Gunfighter 06 Missile away! Gunfighter 06 That s one. Let s find the other two. Gunfighter 06 Mortar crew on your screen. Gunfighter 06 Two down. Let s find that last one. Gunfighter 06 Hawk, slave to 11 s target. Do you have visual? Gunfighter 06 Where s he off to? Keep your eyes on him. Gunfighter 06 Come on, Hawk, let s find that last one. Gunfighter 06 Got em! Gunfighter 06 Tally, mortars. Kill em. Gunfighter 06 Bagram, Gunfighter 06. BDA to follow. Approximately two dozen personnel and three mortars destroyed. Bagram Gunfighter 06, mission accomplished. Request you proceed on heading 280. Gunfighter 06 Bagram, proceeding on-whoa- what was that? Gunfighter 11, did you see that? Gunfighter 11 06, tally. Technicals, moving to the northeast. Gunfighter 06 Looks like they re in a hurry, too. Gunfighter 11 Shit. We are out of range. Gunfighter 06 Lost em. They went behind that ridge. Bagram Gunfighter 11, backing out of TADS. Gunfighter 11 Bagram, do you have a visual on vehicles at our grid? Bagram Gunfighter 06, affirmative. We ve got three trucks heading toward a village two klicks north of Vabulkhel. Gunfighter 06 Those are our guys. Bagram Gunfighter 06, intel declared that village cold, but Predator is showing weapons in those vehicles. You are clear to engage. Gunfighter 06 Bagram WILCO. 11, let s go low low, zero two, zero, three. Gunfighter 11 Low-low, zero-two, zero-three, confirmed. Gunfighter 06 Let s go get em. Gunfighter 06 11 W.A.S. thirty millimeter. We have visual of weapons in the bed of the trucks. Let s get noisy. Gunfighter 11 06, roger. Going switches hot. Gunfighter 11, firing thirty mike mike. Gunfighter 11 06, the other technicals are headed into the village. Let s light em up. Gunfighter 06 11, are those guys from that truck? Gunfighter 11 Affirmative. Targets on the right. Engaging. Gunfighter 11 06, breaking right, come back and put some rounds down on those targets. Gunfighter 06 11, you are clear. Covering your break. Bagram, we have targets moving into the village. Are we clear to engage the village? Bagram Gunfighter 11, Bagram, village is confirmed Taliban armory. You are cleared hot on all targets. Gunfighter 11 06, multiple individuals in that courtyard. Gunfighter 06 11, tally. We re on your six. Those guys were already here. Those trucks didn t bring them. Gunfighter 11 06, I m taking fire from below. Gunfighter 06 These guys are peppering me. Gunfighter 11 Shit. I got tagged. Wait- RPG. South end of the village. Gunfighter 06 RPG! RPG! Shit! Gunfighter 06 Nice shot, hawk. Gunfighter 06 Yeah, you re taking RPG fire. Targets, twelve o clock. I m going right over the village. 11, take them out as I pass. Gunfighter 11 WILCO. God these guys are stupid. Gunfighter 06 That was a bad idea. Get the guys with the RPGs. I m not worried about the AK fire. Gunfighter 06 RPG! Three guys at the top of the hill. Take em out. Gunfighters 中盤 MOH2010:ステージ6翻訳:中盤を編集 Gunfighter 11 Uh, Gunfighter 06, I need you. Where d you go? Gunfighter 06 We are coming back around by that bridge. Targets on the right, Hawk. Gunfighter 11 Good, because I got guys coming out of huts, trucks, rocks-- it s a goddamm jamboree down there. Gunfighter 06 11, you are taking damage. Don t go over the village, stay on the periphery. Gunfighter 11 06, forget the targets, just go hot on the whole damn village. Gunfighter 06 11, you are too low. Gunfighter 06 11, you re blocking our shot. Gunfighter 11 Shit! RPG! Gunfighter 06 Damn. 11, you okay? Gunfighter 11 Affirmative. I m operational. Gunfighter 06 Whoa, that was too close. We got targets at eleven o clock. Gunfighter 06 11, we ve got squirters out of that hut. Gunfighter 11 06 tally. Engaging. Gunfighter 06 11, another RPG! Get that guy. Gunfighter 11 This is cold? There are targets everywhere. Gunfighter 11 Great burst, great burst. Tango uniform. What is going on here? Gunfighter 06 Whoa, there s your answer. This was an ammo dump. Gunfighter 11 06, we have a few squirters. Gunfighter 06 Tally. Hawk, get em. Gunfighter 06 11, you re smoking pretty bad. Gunfighter 11 Yeah, that last RPG thwacked us pretty good. I have a master caution and negative thirry millimeter, say again, no gun. Gunfighter 06 What s your pucker factor? We still have active targets on "The Whale." Gunfighter 11 I ve got noticeable shake in the controls, but it d be a shame to BTR with those targets. Gunfighter 06 What are you thinking? Gunfighter 11 Well, your gun is operational. Let s try hunter killer. Gunfighter 06 That s training exercise. These are real world targets. Gunfighter 11 It s simple. I mark targets, you kill targets. Just mark sure you do it on the first pass. I m almost at bingo. Gunfighter 06 WILCO. Gunfighter 06 11, switching to TADS. Let s sync weapons. Gunfighter 11 WILCO. Switching to TADS. Gunfighter 11 06, I have target. Check mail. Gunfighter 06 11, good mail. Gunfighter 06 That s a mortar crew. Gunfighter 11 Let s gto get em. Gunfighter 06 Roger. Backing out of TADS. Gunfighter 11 06, I am single engine. Going low. Gunfighter 06 11, I am four roter discs behind you. Seach for targets. Gunfighter 11 Here we go! Targets-- eleven o clock! Top of that ridge! Too close for hellfire! Gunfighter 06 Got em, small arms and mounted weapons on vehicles. Gunfighter 11 06, bump up to altitude and acquire targets. Gunfighter 06 Hawk, let s get closer. Gunfighter 11 RPG. Twelve o clock. I am marking it for you. Check mail. Gunfighter 06 Good mail. Hawk, use your hellfire. Gunfighter 11 06, breaking west. Gunfighter 06 11 at your back door. Gunfighter 11 Twelve o clock in the canyon. Check mail. Gunfighter 06 Good mail. Hawk, get on the target. Gunfighter 11 06, target effect. Charlie mike. Gunfighter 06 11, we re going to take another pass. Gunfighter 11 06, negative. Let s stay on mission and find the mortars. Gunfighter 06 Roger. How are you on fuel? Gunfighter 11 Not at bingo yet. Running about eight hundred pounds. Let s continue to acquire and engage these targets. Gunfighter 06 11, roger. Gunfighters 終盤 MOH2010:ステージ6翻訳:終盤を編集 Gunfighter 11 Shit! RPG! Eleven o clock! Gunfighter 06 Whoa! 11, you okay? Gunfighter 11 Yeah, but I m getting buzz in the pedals now. Gunfighter 11 06, I have targets everywhere. We need to drop altitude. Gunfighter 06 11, roger. Gunfighter 11 RPG! Gunfighter 11 Come on! I m getting peppered! Gunfighter 06 Coming around. Gunfighter 06 Wait for it... Gunfighter 11 Fire! Gunfighter 06 Hawk, we ve get squirters. I m breaking left. Clean em up. Gunfighter 11 RPG! Take that position, I am marking it for you. Gunfighter 06 Good mail. Hawk, take the shot. Gunfighter 11 06, nice placement. Gunfighter 11 We have squirters down below! Gunfighter 06 Come back around, Hawk. Light em up! Gunfighter 11 RPG! Get that guy! One o clock! Gunfighter 06 Hawk, I m gonna thread the needle. Get on the trigger. 11, get a laze on that position. Gunfighter 06 Coming around clockwise. Gunfighter 06 Hit that mortar position on the right! Gunfighter 06 Good mail. Hawk, hellfire. Gunfighter 06 Great missiles, Hawk! Looks like we have a few aquirters. Let s take care of them and move out! Gunfighter 11 We ve got dismounts on this ridge! Gunfighter 06 Hawk, we ve got squirters. I m breaking left. Clean em up. Gunfighter 06 Hawk, going over again! Clean them up! Going low! Gunfighter 06 Breaking right! Gunfighter 06 11, do you have targets? Gunfighter 11 Negative. They re wasted. Position eliminated. Gunfighter 06 Then let s not stick around. Gunfighter 06 Hawk, we are moving out. Let s RTB to Texaco. Gunfighter 11 06, WILCO. We are definitely in bad guy land. Stay close. Gunfighter 06 What the fuck?! Gunfighter 11 RPGs! Air burst! Shit! Gunfighter 06 Breaking right! Gunfighter 06 06, no joy! Where are these guys?! Do you have visual? Gunfighter 11 Hawk, there! Twelve o clock! RPGs! Engage! Engage! Come on! Gunfighter 06 Target acquired, take the shot 06! Gunfighter 06 What the fuck?! Gunfighter 11 RPGs! Air burst! Shit! Gunfighter 06 Breaking right! Gunfighter 06 These is a lot of activity here. Gunfighter 11 Hawk! Vehicle! Eleven o clock! Gunfighter 06 Mortar behind those rocks! Take out that cover-- Gunfighter 11 Triple A! Two positions! Twelve o clock! Going over the top! Gunfighter 11 Hit em with rockets, Hawk! Gunfighter 06 Take out the Triple A! Rockets! Rockets! Gunfighter 11 Going over top! Put some rounds down there, Hawk! Gunfighter 06 06, breaking right. Gunfighter 11 Roger, head on, breaking right! Gunfighter 06 I have eyes on the mortar! Going to designate it for you. Gunfighter 11 Good mail. Hawk, take the shot. Gunfighter 11 Mortar position behind those rocks! Hit it! Gunfighter 06 Great burst, 06! The position is destroyed! Gunfighter 11 Roger. That s good because, we almost melted the barrel. Gunfighter 11 Bagram, Gunfighter 06. Bagram Go ahead, Gunfighter 06. Gunfighters 任務 MOH2010:ステージ6翻訳:任務を編集 コメント コメントは最新10件が表示されます。 名前 コメント すべてのコメントを見る